I can’t have any person in a good 50 meter vicinity around me. ![]() I think that if someone is in any way able to listen to me whilst I’m writing stuff I’m just paralyzed by embarrassment. ![]() Would you say solitude is important to writing new songs? That’s kind of cool and exciting, but also a pretty exhausting realization.” “This record’s kind of more realizing self-growth and that your relationships are basically going to be a continuous conversation until you die. But yeah, it was kind of just to pull me out of writing the same songs all over again. I wrote a lot of this record just with a drum machine and a keyboard, and then put some songs to guitar afterward. So I think that was a big thing, just changing. I’m sure on piano I was probably playing the same chords, but it just literally makes different pathways line up in your brain. I just found that I was doing the same things all the time. I can appreciate it, but I’m not, like, a “guitar person.” I’ve never really had lessons, and I’ve never really dived into being a guitarist-I’m just like, “Guitar is a tool of the trade.” I like guitar. I was feeling really stuck with the limitations of my guitar knowledge. Honestly I just wasn’t writing anything on guitar. Are you looking to purposely test your own boundaries when making new music, or does mixing things up come naturally? You stepped away from the guitar in favor of keys when writing Pre Pleasure. Embracing life’s lack of stillness may just make it that much easier.Īhead of the record’s release, we spoke to Jacklin about setting boundaries, her favorite musical, and what to expect from her upcoming world tour. Change is a constant factor in all of our relationships, whether they be romantic, platonic, or sexual. But Jacklin’s new album discusses how fulfillment is an ongoing cycle. Often we’re made to believe that there’s an end goal, that once we put in the hard yards our relationships will fall into place, that we enter this place of zen as we get older. It also led Jacklin to forge the foundation for her next and latest album Pre Pleasure, a title that suggests she’s on the precipice of happiness but not quite able to fully grasp it. From that devastation, it charted the uneasy journey of regaining one’s sense of self-esteem and confidence after undergoing such a turbulent time. Reflecting the rock roots that defined a generation, the legendary score includes ‘I Don’t Know How to Love Him’, ‘Gethsemane’ and ‘Superstar’.In 2019, Julia Jacklin released Crushing, a record that in its most volatile moments navigated an emotionally eviscerating sense of heartbreak. Appealing to both theater audiences and concert music fans, this production pays tribute to the historic 1971 Billboard Album of the Year while creating a modern, theatrical world that is uniquely fresh and inspiring.įeaturing award-winning music by Andrew Lloyd Webber and lyrics by Tim Rice, JESUS CHRIST SUPERSTAR is set against the backdrop of an extraordinary series of events during the final weeks in the life of Jesus Christ as seen through the eyes of Judas. ![]() Originally staged by London’s Regent’s Park Open Air Theatre and helmed by the acclaimed director Timothy Sheader (Crazy for You, Into the Woods) and award-winning choreographer Drew McOnie (King Kong, Strictly Ballroom), this production won theĢ017 Olivier Award for Best Musical Revival garnering unprecedented reviews and accolades. In celebration of its 50th Anniversary, a mesmerizing new production comes to North America. JESUS CHRIST SUPERSTAR is an iconic musical phenomenon with a world-wide fan base.
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